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Above view of Singapore's financial district at Boat Quay was taken with the 14-24mm f2.8 Nikon lens mounted on a D40.
When I first looked at the image, I was awe-struck by the "flatness" of the image rendered by the amazing 14-24mm lens, the same feeling I got with images taken with the Nikon 24mm f/2.8 lens. Is that only me or do you also have the same reaction?
The DX format D40 is an admirable camera, but does not fully exploit the full-frame lens. To buy D3X, D3 or D700? Each has its pro's and con's. Well, no hurry, as I believe Nikon will launch a full-frame camera targeted at the prosumer market in about 18 months' time i.e. a product with the features and capability of the D3 full-frame sensor but in a US$1,500-2,000 price package.
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The Indochine Restaurant at Empress Place
12-24mm Nikkor or 24-70mm Nikkor ?
A common question that has been asked on several forums is which lens should one buy to go with the D700 / D3. Particularly when it comes to a toss-up between the amazingly sharp 14-24mm f/2.8 and the equally impressive 24-70mm f/2.8.
The answer is simple: both are equally indispensable: in a space as small and confined as a HDB flat, there is simply no substitute for the 14-24mm Nikkor ! The 24-70mm Nikkor does not have a wide enough angle to capture group shots comfortably in a confined space. Likewise, out on the streets or in a church hall, the 14-24mm Nikkor does not have the "reach" of the highly versatile 24-70mm f/2.8 to give close-up shots of events that happen. So both are indispensable, depending on the occasion and space available.
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The former General Post Office Building at Fullerton Road
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Now rebirthed as The Fullerton Hotel.
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